《欧洲的某个地方》是一部好看的片子,本网站无需下载任何播放器即可免费观看,本片讲述了: Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form. 电影收集于网络,原来神马影院提供电影欧洲的某个地方高清未删减完整版,影视免费在线观看,欧洲的某个地方手机观看、西瓜影音、高清电影、百度云播放、MP4、迅雷下载等。原来神马影院从互联网自动采集了欧洲的某个地方剧情精彩片源供广大影视爱好者分享,请支持正版影片,谢谢!!
光棍影院网友:主演Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bá
3、Artúr Somlay Miklós Gábor Zsuz 的演技怎么样?"在《欧洲的某个地方》这部剧中,你觉得Artúr Somlay Miklós Gábor Zsuz 的演技怎么样?
人人影视网友:最近有Artúr Somlay Miklós Gábor Zsuz 等演员主演的剧情片一经播出就受到了很多观众的欢迎和认可,这部剧情片里面,演员的演技都是非常值得肯定的,我觉得Artúr Somlay Miklós Gábor Zsuz 在里面的演技非常的好,他能够去把握这个角色所要表达的情感,向观众展现出更好的作品
k8经典网网友:截止到1948,《欧洲的某个地方》HD中字。
琪琪影院网友: Somewhere in the remote region, the war ends. In t...
电影天堂网友:您可以用手机打开百度APP在搜索框里输入:欧洲的某个地方手机在线观看免费,就可以找到免费正版播放资源了。手机免费看欧洲的某个地方网址:www.mwljb.com/movie/46042.html,这个网站免费无广告。
特片网网友:原来神马影院为您提供《欧洲的某个地方》迅雷下载、西瓜视频下载等
豆瓣电影影评:欧洲的某个地方是一部真正适合电影院的电影,所以和麦当劳巨无霸一个道理,屏幕越大越好。另反感海外华人的,尤其是心系形象建设的,普及标准普通话的,建议别看,否则会被高口碑骗得裤子不剩哈。
1905电影网影评:从影片的立意来看,应该说导演的野心很大,想要利用俊男靓女、明星大腕来演绎一出集爱情、动作、探险、搞笑等元素于一身的大戏,但是除了个别细节之处略有可圈可点之处,整部影片全程尴尬。
mtime时光网影评:欧洲的某个地方第一次这么喜欢一部剧的女主角这个角色 聪明 独立 淡然 很有自己的主见 特别是略微带有的那一点狡黠 真是可爱极了!
烂番茄影评:还是比较友好的剧改电影,老粉丝重温情怀,新观众看个热闹。每一个人物身上都有要完成的身份设定和故事线,所以整体叙事不免有一种着急忙慌的感觉,至少我这么觉得。 o(╯□╰)o